PhD in Digital Media-Art (UAb – UAlg – Portugal); Advanced Studies in Digital Media-Art (UAb – UAlg – Portugal); Degree in Graphic Design (UPB – Colombia); Degree in Visual Arts (IDBA – Colombia); Currently he is full time Assistant Professor at the Degree in Multimedia and Arts of the Department of Architecture and Multimedia Gallaecia (DAMG), Portucalense University (UPT). Researcher at CIAUD-UPT – Research Centre in Architecture, Urbanism and Design at UPT (Porto, Portugal) and CIAC – Centre for Research in Arts and Communication (UAb – Lisbon / UAlg – Faro, Portugal); Visiting Researcher at M-ITI – Madeira Interactive Technologies Institute (UMa – Funchal, Portugal); Director of the Scientific Committee of the IMAGE PLAY Colloquium 2019-2026; Member of the Scientific and Artistic Committee and Chair do Video Art Track of ARTECH INTERNATIONAL – International Conference on Digital and Interactive Arts; Member of the International Scientific Committee and Curator Over The Real International Videoart Festival (Italy); Reviewer of Scientific Articles for ROTURA – Journal of Communication, Culture and Arts of CIAC – Centre for Research in Arts and Communication at UAlg – University of Algarve | Algarve – Portugal and VISTA – Scientific Journal of Visual Culture and Digital Arts, CECS – Centre for Communication and Society Studies, UM – University of Minho | Braga – Portugal; Member of the International Editorial Board, Editora DIALÉTICA (Academic and Scientific Publisher), São Paulo – Brazil; Member of the research team for the CAPES CLUSTER CINEX II Project (2022–2023). (Portugal – Brazil), in Curitiba – Brazil. Director of the Artistic Residency of the DIGITALAB project.
He has been Director and Curator of more than 60 projects, including: IMAGE PLAY International Video Art Festival, 2019-2026 (Portugal); FX DIGITAL ART Project – International Exhibition of Digital Art in Public Spaces – Portugal (2025-2026); TRANSGRESSION art + technology PR 2 and LAPP 3, 2023-2024-2025-2026 (Portugal); “DIGITALAB” Project – Digital Aesthetics Laboratory (Portugal) 2024–2025–2026.
He has been Curator of more than 20, including: THE WRONG BIENNALE 2021-2022 | 2023-2024 | 2025-2026 (Spain); “LANDSCAPE – interaction | sound telling | video telling and Death and Rebirth 2022-2023-2024-2025-2026 (Italy); IBRIDA Festival delle Arti Intermediali Awards 2024; Curator of New Media and Digital Art for MADEIRADiG 2024; UKRAINIAN BIENNALE OF DIGITAL AND MEDIA ART 2025 (Kyiv, Ukraine).
Artistic Director of Cultural Projects in the areas of New Media and Digital Media Arts, at APCA – Madeira (Atlantic Culture Promotion Agency), 2023-2026; Chair of the Board of Directors of + ART CONTEMPORARY Cultural Association 2022-2026 (Portugal); He has been a university professor since 1991 in several countries. Conducted 150 postgraduate training courses and 4 artistic residencies. Conducted 40 lectures / conferences / communications and Training Workshops. He has received more than 350 recognitions and 10 awards. Has been for several years invited as Selection and Award Jury in Exhibitions, Competitions and Art Salons.
He has participated in more than 600 Collective and 20 Individual Exhibitions in 48 countries. He has experience in audiovisual productions of video art, animation, experimental shorts, glitch; multimedia intervention of public space, digital art, visual projection and video mapping; processes of generative art; narratives as configurations of creation and action in the areas of digital arts, sound art and digital sound composition. Has publications indexed in The ACM (Association for Computing Machinery) | DL – Digital Libtrary – Publishing System and WEB OF SCIENCE CORE COLLECTION of the WEB OF SCIENCE GROUP | Web of Science Author Connect. Specifically, it will explore the multimedia interventions in public space in its immersion and reverberation; The sounds of public space in the city and the new sound narratives of the city; The democratization of knowledge and digital inclusion in the globalization of knowledge from the public space, in the confluence between art and technology; The hybrid display of art today; The audiovisual contemporaneity: An approach to experimentation and transgression; The still image and the moving image, digital arts in the cyberculture actuality.
Keywords: public space intervention, democratization of knowledge, art and technology, transgression and audiovisual experimentation, sound art.